Jack Dykinga Works

The works of Jack Dykinga have longed appealed to because this photographer is always able to emphasize the beauty of nature by paying attention to color patterns and space. His pictures show that the choice of lighting, angle, and equipment is extremely important for every photographer.Advertising We will write a custom essay sample on Jack Dykinga Works specifically for you for only $16.05 $11/page Learn More Moreover, this person should be able to find the moment when one can capture colors and shapes in the best ways. In this paper, I would like to discuss two photographs by Jack Dykinga. In particular, I would like to discuss his picture of Mexican Poppies1 and Organ Pipe Cactus2. In my opinion, these works represent the typical characteristics of Dykinga’s style, namely saturation of colors and ability to show the illusory aspects of space. These are the main issues that I would to discuss. There are several things that make these photograph s stand out among others. It should be noted that Jack Dykinga uses a large-format camera that enables to depict almost panoramic landscapes (Fox, 2005, p. 20). First of all, the photographer attracts the viewer’s attention to the foreground of the picture and they can see it in close detail. For instance, one can see his picture of Organ Pipe Cactus. Jack Dykinga lets the viewer see the growing brittlebush and cactuses. However, the silhouette of the Ajo Mountains is almost blurred. This approach to photography was developed by David Muench (Fox, 2005, p. 20). The same technique can be seen in the photograph of Mexican Poppies. This is one of the techniques that this photographer often applies. Nevertheless, there is another aspect that has always appealed to me. Jack Dykinga is able to demonstrate the illusory nature of space and material objects. For instance, in the background of his photograph, the viewers can see a see a mountain chain covered with mist. At first glance , it seems that some of these mountains are not real. Overall, I can say that very few photographers can show nature in such a way. These examples suggest that Jack Dykinga is indeed a prominent photographer who captures unique images of nature.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Additionally, the pictures of this photographer are usually color-saturated. For example, one can look at his picture of Mexican Poppies, especially the presence of deep blue color. In order to render it, a photographer should choose a particular angle and moment. In some cases, such a task can be very difficult. This is one of the reasons why Jack Dykinga’s photographs stand out among others. Overall, I can say that the works of Jack Dykinga are very difficult to imitate. First of all, it is important to choose appropriate lighting that would enable a photographer to render the colors and details of the landscape. When I tried to take a similar picture, I had to spend much time in order to recreate his use of space and palette. I learned that photography requires much preparation. Certainly, I may not want to imitate the works of this photographer, but his use of saturated colors greatly appeals to me. The works of Jack Dykinga show that photographers can rediscover the beauty of nature, but in order to it they should be able to choose the most suitable moment at which one can render rich palette of the landscape and illusory aspects of its forms. Appendixes Picture 1. Mexican poppies by Jack Dykinga Picture 2. Organ Pipe CactusAdvertising We will write a custom essay sample on Jack Dykinga Works specifically for you for only $16.05 $11/page Learn More Reference List Fox, W. (2005). Desert Water. New York: Graphic Arts Center Publishing Co. Footnotes 1 Please, refer to the Appendixes, Picture 1 2 Picture 2. This essay on Jack Dykinga Works was written and submitted by user Eliza Hogan to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Why I Want A Wife Essays

Why I Want A Wife Essays Why I Want A Wife Paper Why I Want A Wife Paper In our current age we have both sexes going to school and staying at home. A stay at home father is more common than ever. Unfortunately, this is not how society has always worked. In the sasss, women were treated very differently then we do today. We use to be treated like door mats and mutes. In Why I Want a Wife by Judy Brady, she reveals her anger In a different tone. She uses sarcasm and humor to get her point across. As if all of the expectations of a wife is laughable and presumed as a joke. How can anyone possibly do all the work that she has listed and not even complain once. Her message may not have been as powerful and motivating, if she Just simply made a list of her grievances. Also, Brady learned to never complain, thanks to her husband, about her feelings and would be a reason why she did not just say outright all the injustice she felt in her marriage. It could be a way around her moral obligations to her husband, while still getting her message across to married and unmarried women. Brady realizes her husband was sexist, unsupported, and how she was once oblivious of her surroundings, which contributed to her becoming a role model to women everywhere. Brady writes against sexism and warns women of the life of a bride. Based on our past In the demographics of a household, a man would not be caught doing any cleaning or cooking. Brady was classified Into a group called wives. She and other wives are outsiders according to men and are only good for taking care of the well being of them family. The presentment that Just because she is a women does not mean she does not yearn to educate herself or become financial independent. He husband does not allow these things simply because she Is a women Brady explains how just because she is a women, she still has wants and needs just as important as the next men, and not to automatically write her off because she is a women. She shows us how she finally saw that her husband was unsupported and how she hoped her writings would change the future, Throughout the essay, Brady speaks of the want for an education and a life outside her home. Although, at the end of the essay, after the husband completes his school, she is still to stay at home with the children and household work. Even after she was loyal and encouraged his schooling, the husbands view did not change. His wife was to now stay at home and to focus solely on all her previous duties, with the only break is not helping her husband with school. The husband should now take his turn in helping raising the family so that Brady can finally evolve herself out of the classification of a different breed. A women going to get an education around that time was unlikely, but what she was saying Is even If you dont have support, you can soul make a difference In you own life. In conclusion , Brandys past ignorance has motivated her to speak out for women In similar situations. Brady starts filth classifying herself in a whole other species. She comes to the realization of her treatment over a conversation with a male friend who was recently divorced. He states how he is looking for another wife, but not another ND realizes how unfair and unequal her husband is. This is when she finally realizes that to men we are nothing more then Just a an object. After her revelation of her identity, she begins to dissect and define her life by all the chores she is expected to perform and all of a sudden, she realizes she was serving a life sentence. Although, prison might have been a vacation compared to her lifestyle. She now addresses the everyday issues of a common house wife to help prevent similar situations.

Unit 3 Taxation and Representation Assignment Example | Topics and Well Written Essays - 250 words

Unit 3 Taxation and Representation - Assignment Example ight by a considerable extent, which was evident by having a close look on their respective approaches towards fulfilling such rights effectively (Ward, â€Å"History in the Making: An Absorbing Look at How American History Has Changed in the Telling over the Last 200 Years†). According to Patrick Henry and Samuel Adams, the right of taxation was referred to an option, which has been provided to the willing Englishmen by the British government. However, this provision changed with time. The political rights belonged exclusively to the colonists included the right to vote, order or proceed whereas, the power and authority over the British parliament remained confined to the concerning authorities. The above stated rights regarding the power to vote, order and proceed were only agreed upon by the legislation and the Parliament in terms of sharing with the colonists (Hanover, â€Å"Samuel Adams, and The Rights of the Colonists†). The existence of unrealistic expectations about the relationship prevailed between the mother country and its colonies can be duly considered as a major cause for the revolt brought upon by the colonists over Great Britain. For instance, the unrealistic and the ineffective mandates set up by the Parliament gradually resulted in raising several debates about taxation in the 1700s (GMW, â€Å"Soame Jenyns the Objections to the taxation considerd

The use of microrobotics in healthcare Research Paper

The use of microrobotics in healthcare - Research Paper Example Nanobots are engineered nanodevices or nanomachines whose size is as small as a microbe and are expected to have a wide range of application in the field of medicine as therapeutic agents and other medical uses (Kroeker). The tiny size of the robot is their unique feature which will enable them to interact at the bacterial and virus levels. They could also be easily injected into the bloodstream by which they can reach the target site to fix any problem. This potential application is now being considered for cancer treatment as cancer-killing robots can be injected in to the bloodstream by which they can locate the malignant cancer cells and destroy them through laser or other mechanisms. The efficiency of the nanorobots is such that the tumor could be completely removed right till the last molecule. Such a utility of the nanorobots offers immense benefits both to the patient and the medical team as it is less traumatic and at the same time more efficient than other forms of treatmen t that are currently in use such as chemotherapy. In chemotherapy apart from the malignant cells some non-target normal tissue cells are also damaged. This causes unwarranted stress to the body which is already waging a battle to fight out the tumor cells. Surgery, which is being touted as the last alternative in cancer treatment is also not always effective as it still retains the chance of a tumor relapse as even if a single molecule is left in the body from the surgery the tumor has the potential to return. In such cases even the effort from the medical team might go in vain as it is not always possible to completely remover the tumor cells. The use of nanorobots in such cases will not only cause the non-target cells to remain undamaged while eliminating every single cancer cell but will also ensure that the patient will not be out through a highly invasive or traumatic procedure. Only such a treatment will result in complete recovery for the patient (What are the capabilities of Nanobots?). In addition to their potential use as cancer curing agents, nanorobots could also be used in other common ailments. They can be used to remove particles from the bloodstream by which clogged arteries can be completely opened up by removing every cholesterol molecule. In case an organ is affected nanorobots can be made to swim to the affected region and perform a micro-surgery on the organ in a non-invasive and less traumatic manner thereby preventing the need for any surgery on the already damaged organ. The fact that surgeries are still a painful experience for all concerned cannot be sidelined and hence researchers are constantly searching for an alternative procedure that would be less invasive and traumatic. They can also be used to repair normal tissue damage such as internal wounds. In addition to clearing the damaged tissue cells nanorobots can also be engineered to build newer and healthy cells in the area and seal the wound. By this process the presence of any scar tissue from the wound healing process can also be alleviated. As nanobots do not necessarily warrant a surgical intervention those people suffering from allergies to anesthetics, hemophilic patients who are incapable of undergoing surgery and others with surgery related problems would be immensely benefited by nanobots.. Studies have also shown that nanobots can also function as

Use And History Of Song Backmasking Music Essay

Use And History Of Song Backmasking Music Essay Each one of us has his/her favorite song, different bands, and different genres. And upon listening to music, it gives us inspiration, relaxes our minds and let us release our emotions and tensions. But would you believe that in some music we hear and every song that we sing, there lies a hidden message that lies within its lyrics and sound. And the process of discovering those things is called Backward Masking or usually referred as Backmasking. It is done by playing a song reversely or reading the lyrics backward. A. History of Backmasking Song Backmasking began in 1966 when the band, Beatles used it in recording their album, Revolver (Sullivan, 1987). Album tracks like Tomorrow Never Knows, Im Only Sleeping and Rain were the songs that have used techniques of musique concrà ¨te in recording (Mugan, 2006). Musique Concrà ¨te is an avant-garde form of electronic music which involves editing together fragments of natural and industrial sounds; and the concurrent spread of the use of tape recorders in recording studios(White, 2007). After the Beatles used backmasking, artists in time also used it for enhancing the both analog and digital recording of their tracks, by producing comedic and satiric effect. Some artists used backmasking to censor some words and phrases for clean release of sounds (Sullivan 1987). II. Uses of Backmasking A. Satanic Backmasking Satanic Backmasking involved classic rock songs, but composers of these songs denied any intent to promote Satanism. Some bands use Satanic imagery just for commercial use, one of these is the trash metal band, Slayer. The band used it in their 1985 album Hell Awaits (UGO Networks, 2009), in that album a deep backmasked voice chants repeatedly Join us. But the bands vocalist, Tom Araya said that they used it just for solely for effect (Hellqvist, 1998). Also the band, Cradle of Filth used Satanic Imagery, and released a song entitled Dinner at Deviants Palace, that song consists weird sounds and reverse reading of the Lords Prayer (Corbin). B. Subliminal Messages Fundamentalist Christian groups said that Satan use music to influence people with the use of Subliminal Messages. Subliminal messages backmasked into rock music influence its listeners to commit crime (Pastor Gary Greenwald). In 1982, Minister Jacob Aranza wrote a book entitled Backward Masking Unmasked, in that book, it explains how backmasking is used to open the subconscious mind and introduce its listeners to Satanism and drugs (Holden, 1983). The subconscious mind is being successfully affected by the repetition of beat and lyrics being affected through a subliminal message (Mills, 1981). B1. Influence of Subliminal Messages Because of these subliminal messages, crimes had been committed. Serial killer Richard Ramirez, said that AC/DC music and he specified that the song Night Prowler on Highway to Hell provoked him to commit murder (Watkins). David John Oates, a reverse speech advocate said that the song Highway to Hell contains backmasked message Im the law, my name is Lucifer and she belongs in hell (Von Ulrich, 1997). Angus Young of AC/DC stated that You didnt need to play (the album) backwards, because we never hid (the messages). Wed call an album Highway to Hell , there it was right in front of them (Young and Young, 2004). In 1990, two men in Nevada committed suicide because of the songs of a British heavy metal band, Judas Priest. The lawsuit of their family stated that the 1978 album Stained Class contained a hidden messages , including a forward subliminal message Do it in the song Better By You, Better Than Me. The judge dismissed the case due lack of sufficient evidence of Judas Priest place ment of subliminal message on the album (Vokey). The members of the Judas Priest stated that if they insert subliminal messages in their song, all of their fans have died and instead of doing that, they would prefer to insert a subliminal command Buy more of our records (Van Taylor). C. Backmasking used for critical and too explicit message Another use of song backmasking is for critical or too explicit messages in a soundtrack. Frank Zappa is one example of artists who used backmasking to avoid critical or too explicit message. He used it in his song Hot Poop from his album, Were Only in It for the Money released in 1968. The side A of the album contains a backmasked message Better look around before you say you dont careà ¢Ã¢â€š ¬Ã‚ ¦/ Shut your fà ¢Ã¢â€š ¬Ã‚ ¦.king mouth bout the length of my hairà ¢Ã¢â€š ¬Ã‚ ¦/ How would you survive / If you were alive / Shitty little person? . The verse originally came from the song Mother People, and was censored by Verve Records, so Zappa edited it, he reversed it, and insert in his album as Hot Poop (Pacholski). D. Backmasking used for Aesthetics Another use of backmasking is for aesthetics, which means to enhance the meaning of a track (Blecha). During the subliminal message trial of the band Judas Priest, its lead vocalist, Rod Halford admitted the recording of words In the dead of the night, love bites backwards in the song Love Bites that came from the album Defenders of Faith that was released in 1984. In an interview, he was asked why he recorded the message, Halford answered that When youre composing songs, youre always looking for new ideas, new sounds (Zwerin, 1999). Related from this technique is to reverse a whole instrumental track. Vocalist of the band Beatles, John Lennon wanted to do it in their song Rain but their producer, George Martin and bandmate, Paul McCartney disagree with him and cut the backward section to 30 seconds (Stevens, 2002). E. Backmasking used for Humorous and Parody message Backmasking is also used for hiding comedic or parodical message backwards in a song. In 1966, the B-side of Napoleon XIV s single Theyre Coming to take me Away Ha-Haaa! is a reverse version of the record entitled aaaH-aH, yawA em ekat ot gnimoC eryeht(Anonymous). Pink Floyd puts a backmasked message in the song Empty Spaces from 1979s The Wall, Congratulations. You have just discovered the secret message. Please send your answer to Old Pink, care of the Funny Farm, Chalfont/Roger! Carolynes on the phone! /Okay. This message refers to Syd Barrett, the former lead singer of the band who is thought to have suffered nervous breakdown years earlier (Patterson). F. Backmasking used for Censorship Backmasking is also used for censorship. It is used to censor words and phrases deemed inappropriate on radio edits and clean album releases. One example of this is The Fugees clean version of the album The Score it contains various backmasked profanities (Nelson, 1998), when the album is played backwards, the censored words are clearly heard in the backward gibberish (Anonymous, 2006). For example, the word shit, after it was backmasked it would give a sound ish, as a result ish became a euphemism for the word shit (Rader, 2002). III. Artists that were accused using Baskmasking According to Blecha, Arar, Poundstone, Deusner, Tetley and Searcey these are the artists who used backmasking: Led Zeppelin, The Beatles, Pink Floyd, Electric Light Orchestra, Queen, Styx, AC/DC, Judas Priest, The Eagles, The Rolling Stones, Jefferson Starship, Black Oak Arkansas, Rush, Britney Spears and Eminem. Electric Light Orchestra or commonly called as ELO was accused of hiding satanic backmasked message in their album, Elorado that was released in 1974, the song entitled Elorado was said to contain the message He is the nasty one / Christ, you are infernal / It is said were dead men / Everyone who has the mark will live (Poundstone, 1983). Way back 1981, Styx was also accused of hiding a backmasked satanic message Satan move through our voices on their song Snowblind from their album Paradise Theatre (Holden, 1983). James Young, guitarist of the Styx, called the issue rubbish and stated that, If we want to make a statement, well do it in a way that people can understand us an d not in a way where you have to go out and buy a $400 tape player to understand us (Hoekstra, 1983). The famous of all is the Stairway to Heaven, 1971 song of the band, Led Zeppelin, the backward playing of a portion of the song results to a message Heres to my sweet Satan (Milner). The recording company, Swan Song Records gives a statement regarding the song, Stairway to Heaven, they said that Our turntables only play in one direction-forwards (Davis, 2007). And in an interview Robert Plant, vocalist of the band, Led Zeppelin denied the accusation, he said that To me its very sad, because Stairway To Heaven was written with every best intention, and as far as reversing tapes and putting messages on the end, thats not my dea of making music (Considine, 1983). IV. Comments of Society regarding the song Backmasking Christian Groups Christian websites have stated that backmasking is widely used to promote Satanism (Robinson). Dial-the-Truth Ministries, the web page of the Albama group argues for the satanic backmasking that lies in the song, Stairway to Heaven of Led Zeppelin saying that the contains a message, Its my sweet Satan Oh I will sing because I live with Satan (Watkins). Bible Believers, an Australian Christian group , quoted a statement from Backward Masking Unmasked, a book written by Jacob Aranza, about William Yarrolls proposal regarding the psychological effect of music to the subconscious: In the base of our brain, there is a check valve commonly known as Reticular Activating System. The left side of our brain is logical while the right side is creative, if the left side of our brain cannot decode the meaning of the strange word or phrase, the right side which is the creative one takes over and the message is acknowledge and stored. Parent Music Resource Center The Parent Music Resource Center is a committee formed by the American Government in 1985. Its main purpose is to increase parental control to the music selected by the children which may trigger violence and sexual suggestive (Anonymous). Dr. Joe Stuessy testified to the United States Congress at PMRC in 1985: Lyrics in some heavy metal music may be converted to subliminal, sometimes lower tracks are mixed with louder tracks and these lower tracks are heard by the subconscious mind and not the conscious the process of doing this is called backmasking. There is a disagreement between experts regarding the effect of subliminal. We need more research on that.

Lincoln High School

For most students at Lincoln High School, today is no different than any other regular school day. For me however, it’s the day I’ve been looking forward to for over a month. Today is the day when our hard work during numerous evening rehearsals pays off. Today is the day when the hundreds of hours put into making costumes, building the set, and intricate make up designs are displayed. Today is the day we open the show. One by one the students filter into the theater room. For the first evening performance, call is at 5:00, but by the time I’ve arrived at 4:30 room 220 is already filled with students busily preparing for the show. Costumes begin to disappear from the costume closet and a thin layer of powder and cream makeup appears on the counter. I manage to squeeze my way through the mob of people standing around, chatting, applying makeup, or curling hair and find myself a wonderful seat in front of the mirror. As I sit down I’m overcome with a thick, chocking cloud of hairspray. Over the next hour students slowly transform into their characters, no longer the same people who walked through the door earlier this evening. The director enters and shouts â€Å"Twenty minutes until show!† Myself, and everyone one else in the theater room echoes in response, â€Å"Thank you twenty!† You can almost feel the level of excitement rising. The chattering gets a little louder. Soon after the announcement, the cast gather around the tables and began to stretch. The chattering dies down, and I begin to reflect over what we’ve accomplished over the last month and a half. Five minutes until the show starts. Everyone circles up and join hands so the seniors can continue on the tradition of â€Å"The Energy Circle†. â€Å"Are you ready?† Everyone replies in their stage whisper, â€Å"Yeahhhhh!† â€Å"Then let’s get ready to rumble!† The wave is started around the circle. It goes around once, twice, and than dies out. It’s time to report to our places. As everybody waits, cramped in the wings of the stage, my mind begins to race with questions. What if I forget my line? What if I miss a cue? My thoughts are intercepted with the dimming of the lights. Black out. Everyone quickly, but quietly gets into their opening position and freezes. The lights come up, and the show begins. Time starts to fly by. We are performing the show better than at any rehearsal. Before I know it I’m taking a bow. The crowd is cheering wildly. The lights go out and the cast exits off stage. Only moments later, the senior dip begins to fill with parents, grandparents, siblings, and friends. I am overjoyed to see some of my friends, and immediately I am bombarded with hugs and positive reviews. Soon, people begin to pull away from their family and friends because there are duties and chores that need to be taken care of before anyone can leave. Costumes are gathered, neatly hung up and the makeup grime is wiped off of the counter. The floor is moped, the tables are cleaned, and the chairs are pushed in, ready for students in class tomorrow. The room is spotless, and we are allowed to go home and rest to prepare for another show tomorrow night.

Sexuality and Gender in the Therapeutic Relationship

Sexuality and gender in the therapeutic relationship There is a minefield awaiting the counsellor who has not given much time in the study of gender issues in the therapeutic relationship. When we enter a room to see a client, we are encouraged to bring ourselves as a complete person, so we can create a relationship with the client, and thus facilitate the changes he/she needs. To bring ourselves into the relationship we bring all aspects of our identity including our sexuality and our sexual hang-ups and our pre-conceived gender notions. In spite of the fact that we are in a post-Victorian, post Irish catholic guilt, post free love time. We all carry the accumulated burden of our forefathers, educators policy makers and others. Firstly being male or female dictate how we deal with any situation. Whether its talking to our mothers to opening a can. Our gender and how we perceive ourselves in it informs our view of the world. If we look at the profession itself as a whole, counselling is defined by gender. Simply put there are more female counsellors than male by a huge factor. Also there are many more female clients than male. This tells us volumes. The profession is a caring one and is top heavy with those whose gender attract them to the caring professions. This puts a gender bias on all that psychotherapy does. Also the predominance of female clients can put the few male counsellors on their guard. This is because the person sitting opposite us in the room is our client, but also is a woman, with physical attributes and a subject of attraction to the male counsellor. Counselling is a one-to-one relationship that exists between two humans in which one is the focus ant the other is the companion or guide. The sex of the two protagonists is probably the first aspect that will impress upon either one. â€Å"The client coming for the first time might already know that she or he will be seeing a man or a woman. She might have certain expectations as result of this knowledge, for example she might expect a woman to be gentle and supportive and a man to be more judgemental and confrontational. † Palmer (1997) Therapy will tend to be dominated by the structures that society imposes on both the counsellor and the client. Once the therapist is aware of this here are two ways he/she can go. First they can try to act as if they are a â€Å"tabla rasa† or blank slate and be as neutral as possible and hope that by being counsellor first and a sexual being second. This is guaranteed to be a failure, primarily because the blank slate idiom is aspirational and not very practical. Also it goes against concreteness as the therapist will not be â€Å"there† in any real sense and wil l not function in any valid person centred way. The other alternative is â€Å"Explicit treatment†, which put gender issues at centre stage of therapy. This requires a clear understanding of the gender position of both protagonists in the therapeutic relationship. The dynamic between both is not a static situation as the initial meeting causes automatic reaction in the therapist. For example when faced with an attractive female client a male counsellor may think. â€Å"Nice smile, good legs† or â€Å"not pretty†, etc.. This gives way to â€Å"Good speaker, Lovely laugh,. † Then the presenting problem is aired and it would be hoped that the â€Å"skilled helper† mentality kicks in. But the societal hooks have dug into the therapist and may affect his relationship with the client. So until gender is expressed in some way it is hidden and can surface in an unhelpful way. There are many ways that this can be expressed. If part of the problem is self confidence issues, there would be a perfect lead in to a confidence boosting â€Å"You see yourself as ugly but you are an attractive woman with a strong personality. † for example. If the client dresses attractively it may be how she always dresses, perhaps as armour against the world. When people begin to see a counsellor they often see this as a new beginning and the attractive dress of the client might be an expression of her â€Å"newâ€Å" personality, making a strong effort to face the world more robustly, and to leave it uncommented on might do harm to her new-found confidence. Also it may be simple transference, so this should be explored in the therapeutic relationship. Other Gender Issues In our world we are also subject to the â€Å"Dominant Discourse† of our society. These are the system of statements, practices, and structures that share a common value and sustain a world view. It is so easy to let our societies be reflected in the therapy room, especially how we view gender. The best way to insure that society's dominant discourses do not alter the desired â€Å"shape† of therapy is to make gender issues explicit in the therapy dialogue when relevant to the discussion. Explicit treatment can lead to reconstructions of the dominant discourses or at least an opening up to alternative discourses. We make assumptions when we meet clients, Housewife, business man, etc.. The male therapist may feel pressured to â€Å"fix† his female clients â€Å"problems† A female therapist may feel the need when dealing with a male client to display a very strong nurturing role and may avoid challenging her client into action. Conversely the therapist may, when facing a powerful man with attitude to match may become businesslike and direct because that is what society tells us to do when we â€Å"do business†. Same sex client and counsellor can be a problem too. Two people, especially if their backgrounds are similar, can collude with one another and not challenge if the therapist is not aware of the human tendency to let a cosy cartel of collusion to develop between two people of the same sex. There also may be a frisson between two people of the opposite sex and may cause an unease between them just because they are the opposite sex and carry whatever societal burden is imposed on them. The above attitudes are â€Å"static† and can be monitored and adjusted if the counsellor is aware of their presence and their effect can be lessened by self examination, supervision and personal therapy. But there is a more insidious side to gender issues. This is a â€Å"fluid† attitude change. If a male counsellor has been out for a game of rugby with his friends he could have a more â€Å"macho† base to his personality than if he has recently left the embrace of his loving wife and family. This could affect his dealings with a client. How we interact with our fellow man is affected by our experiences immediately before meeting them. An incident while driving may put us in an emotional state where our patience with the opposite sex may be compromised. There is an unfortunate side effect in the way society loudly defines our gender and how it manifests itself. We can become so preoccupied by our gender and the its affect on us in the counselling room that by being careful about how it affects us that we cease to be effective in our dealing with another human. AN ALTERNATIVE VIEW Janet Shibley Hyde of the University of Wisconsin-Madison has reviewed evidence from studies on cognition, communication, social and personality variables, psychological well-being, motor behaviours and other variables. She has turned all these aspects of gender in to one â€Å"meta survey† and came to the conclusion that fully 78% of the much vaunted differences between me and women are small or close to zero. (Hyde, 2005). There are 3 main areas of difference. Sexuality – in particular attitudes to sex in uncommitted relationships, Aggression – Men are usually the more aggressive . Motor performance – Men are better at throwing, jumping, running and such. So why are we so hung up on our differences if there are so few between the genders? Society has painted them in lurid colours and made us believe they are intractable. Perhaps it is not our position as men or women, but our position as humans that looks for differences that are not there, to define us as people. It also reminds us that rather than accuse the nebulous â€Å"Society† of putting a bias on our view of other humans we should remember that we are society ourselves. As Hyde puts it â€Å"It is time to consider the costs of over inflated claims on gender differences. Arguably, they cause harm in numerous realms, including women’s opportunities in the workplace, couple conflict and communication, and analyses of self-esteem problems with adolescents. Most important, these claims are not consistent with the scientific data. † Hyde (2005). Also there is the concept of gender as limiting rather than defining. Judith Butler (1956-) is Professor of Comparative Literature and Rhetoric at the University of California, Berkeley, and is well known as a theorist of power, gender, sexuality and identity. In her most influential book Gender Trouble (1999), Butler gave the history of feminism, a much vaunted alternative to the common view of gender, and argued that they had made a mistake by trying to assert that ‘women' were a group with common characteristics and interests. That approach, Butler said, performed ‘an unwitting regulation and reification of gender relations' — and reinforced the simplistic binary view of gender, albeit from an alternative view. If there are only two sides then no matter what side we choose we still support a simple binary view. Rather than opening up possibilities for a person to form and choose their own individual identity, â€Å"masculinism† never did it and feminism has closed the options down. Butler argues that sex (male, female) is the cause of gender (masculine, feminine) which is seen to cause desire (towards the other gender). Butler's approach is basically to destroy the supposed links between these, so that gender and desire are flexible, unmoored from biology and not 'caused' by other stable factors. Butler says: ‘There is no gender identity behind the expressions of gender; †¦ identity is performatively constituted by the very â€Å"expressions† that are said to be its results. ‘ Butler J. (1999) . In other words, gender is a performance; it's what you do at particular times, rather than a universal who you are. In the counselling room we may be victims of this binary problem. CONCLUSION As I read back over this essay I find that I have no personal recognisable stance on the issue of gender and sexuality. Perhaps I have had the fortune to be brought up in a liberal, forward thinking household and am less affected by society’s strictures. But alternatively I may be carrying around significant biases but not realise it. Also, if Hyde is right, I may be carrying around biases for differences that in the main part do not exist and this essay is a figment of my own imagination, an illusion that I share with the rest of humanity. And if I carry such a burden, the all of my fellow human carry similar ones so perhaps they cancel each other out. If we are to be real in the counselling room and we subscribe to Ms. Butlers ideas that unless we are careful to separate from gender we continue to perform the dance that we have been trained to do for millennia. BIBLIOGRAPHY Palmer Stephen, McMahon Gladeana, (1997), â€Å"Handbook of Counselling† page 272, Routledge. New York. Hyde, J. S. (2005). The gender similarities hypothesis. American Psychologist, 60(6), 581-92. And 590. Butler Judith (1999) â€Å"Gender Trouble† p 25. Routledge New York